Creative Islanders: Mari Kennedy

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Photo: Clare Mulvany

The Creative Islanders is a new interview series showcasing some of Ireland’s brightest creative talent and enterprise. It is about people who are stepping into their dreams, purpose and possibilities and embracing their one wild life. 

The interviews give a rare ‘behind the scenes’ glimpse into creative practice, motivations and mindsets- shining a light on what makes people tick, and how, collectively, Ireland is alive with creative possibility.

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Transformational leadership coach, yoga and mindfulness teacher, and facilitator, Mari Kennedy has been a pivotal friend and colleague in my own life, and in the lives of many. Her creativity spans many ventures including The Ireland Iceland Project, The Yoga Salon, and my own collaborations with her through Be Retreats.

Mari has a special knack of sparking fresh conversations and insights, and creating learning spaces for rich and lasting change. She is always real, ever honest and just through her being inspires creative responses to life. She is great craic too and has been the brightest treasure of a friend anyone could wish for. It is such an honour to be able to include my creative collaborators in this interview series. So, go make yourself a cup of tea and dive into these rich words from the radiant, Mari Kennedy….

(All photos by myself, apart from Cliff of Moher Retreat Centre, by Mari)

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What keeps you in Ireland?

I ask myself this question all the time. Certainly for the first 30 years of my life it was a combination of being very close to my family and fear of the unknown. I was a funny mix of someone who dreamt of travelling and new experiences and a total home-bird, safety junky. The latter always won out. Deep down I was afraid of change and loss. Life threw me a few curve balls over the last 10 years, reminding me there is no such thing as safe, and ensuring that I understand that change and loss are the very essence of living- rather than fearing them they are to be danced with. Now I choose to stay here with a willingness at any moment to leave. I am in Ireland today because I am excited by what I see around me – friends, colleagues and clients who are asking bigger questions, choosing to live in a more courageous conscious way, desiring a different future for this particular corner of the earth and its inhabitants.

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 (Mari speaking at Body & Soul Festival, Trailblaze event)

What makes you tick? What motivates you?

The mystery of life and attempting to show up to the adventure and the crazy complexity of being human. That excites me and terrifies me. I have learned to love the fact that everything is always changing, transforming and evolving. Everything! Think about it – in the utter bliss of kissing someone for the first time is the loss and ending of that relationship, whether it happens a day later or at the end of a lifetime of kisses. Isn’t that amazing and painful and beautiful all rolled up together? That’s what we have to deal with as humans.

I love working with others developing and designing transformational experiences, events, programmes, retreats. Collaboration brings me alive. And yet it’s the most challenging thing I do because it always brings up shadow (the parts of me I prefer not to see or more significantly don’t want anyone else to see!).  It also demands that I stop trying to control people and situations. When we collaborate we are invited to stop relying solely on our own intelligence and trust in the bigger collective intelligence. Its pure magic but it is guaranteed to unearth the small self. My first attempt at collaboration was with Kathy Scott in the ireland:iceland project in 2011 and we’ve been playing with collaboration and learning ever since. More recently we created The Yoga Salon which allows us to bring other great creatives and yogis together.

Inquiry and questioning is also something that makes me tick. Both self-inquiry and asking questions of how we are living as a society are essential to our evolution. I became a coach because coaching provides a place to safely question and open up new possibilities. The world I grew up in did not encourage questioning and it’s taken me a long time to relearn the questioning that was so natural as a 2 year old.

The change I see happening in the world motivates me. It’s really exciting. One thing that really struck me in the last 12 months in my work in Leadership and Mindfulness is how mindfulness and wisdom practices are been taken on by organisations. I have been amazed at how deep people are going in the practice of meditation and how committed they are even in the middle of a busy office and hectic work load.

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Photo: Cliffs of Moher Retreat Centre, Mari Kennedy

What does the creative process teach you?

Perfection is overvalued, impossible to sustain, and ultimately cold and clinical. Imperfection and brokenness are rich with potential and full of beauty.

Play, curiosity and kindness are some of the forgotten portals into creativity.

Mistakes are part of the process and to be celebrated as opportunities to encounter my small limited self (who hates them!). It teaches me to respect and revel in cycles, make friends with the unknown, listen and celebrate.

That loss, confusion, discomfort when given space give rise to hitherto unimaginable possibilities.

There’s a time to listen and there’s a time to act – and that is the process.

How do you get unstuck? Any secret tools?

Sit in the stuckness, stay close into the stuckness and inevitably it will open up. As our Celtic ancestors knew, everything begins from darkness.

 

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What do you do just for the love of it?

Jump off rocks into the sea. For the pure joy freedom and craic of it!

My morning meditation- it connects me to larger belonging every day, keeps me close to my heart and to what really matters.

I love words and I find myself collecting them like beads with the hope that some day I will string them together into a couple beautiful pieces.

Making food–put me in a kitchen with music to sing along to, a fridge full of fresh beautiful food and I’m happy out.

Reading poetry -Rilke, David Whyte, Hafiz, Rumi. I just got introduced to Marie Howe when someone recited “Annunciation” to me, standing in a field during Body and Soul and it blew my heart open.

 

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Where do you find inspiration? Any hidden gems?

Amazing women and men in my life who are stepping up, dealing with their shit, taking personal responsibility for their lives and speaking their truth. Having them accompany me at the edge of my own comfort zone as my friends is a daily inspiration. (You know who you are!)

My Dad’s legacy of gratitude and seeing the good in all situations.

Clients who sit opposite me and say “I’m lost” or “something needs to change in my life and I don’t know where to start”. I celebrate those moments of honesty as doorways to potential.

Integral Theory makes sense of this complex world for me, and Theory U and the work of Otto Scharmer at MIT inspires me to live in the unknown.

The research and work on mindfulness, empathy, compassion, neuroscience and the heart by people like Tanya Singer, Kristin Neiff, Richie Davison, Dan Segal, and The Institute of Heart Math inspire me to believe that we humans are evolving our capacity for compassion and empathy which potentially could enable us to create a caring society.

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How do you get through tough times? What sustains you?

I recently read a quote “When somethings goes wrong in your life just yell “plot twist and move on”. I found myself smiling and wanting to yell. I recently lost my home and that was really tough. I had to face fear, vulnerability, grief and shame. I was so grateful to have a practice that allowed me to meet and face all those feelings and allowed me to catch my tendency to fall into, ‘poor me, nothing ever goes right…’ You know the script!

My practice of sitting with myself in meditation and inquiry got me through – it helped me to ultimately see that I have a choice to be the victim of this ‘plot twist’ or turn it into a jumping off point to a new and different life, one that is more real I suspect. One thing I know there is always gold to be mined in the challenge of plot twists. The steadfastness of my family, the extraordinary generosity, support and love of friends, and uncovering some shocking limiting beliefs are some of the gold I continue to mine.

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What key lessons have you learned about doing business or being a creative practitioner along the way ? What have you learned from your ‘failures’?

Pausing is one of the most creative (and courageous) acts you can perform. We are so conditioned to be busy and always in our strategic mind. Pausing summons our creative mind.

Right now I am experimenting with just that. I’ve been testing my capacity to press pause – and failing often – since I first realised, eleven years ago, that I was perpetually over-functioning and never ever stopped. When I first tried to stop back then I saw that I actually didn’t know how to even slow down. So here I am now, down in the West of Ireland, without a schedule, without a plan, with the intention of not filling up time with busyness. Sounds quite idealistic and dreamy but it’s actually excruciating at times not to reach for some distraction but to be in the nothingness of nothing to do. In that nothingness I see the panic that drives the busyness. The more I have learned to stop the more creative my life has become.

Over-achieving and trying to be perfect or create perfection is exhausting. The more you allow yourself to be human and stop worrying about being right or “the expert”, the more innovative and creative you become.

Through my failures I have learned how hard I am on myself and how that unconscious self-rejection has hijacked my life. Self-compassion and friends with a sense of humour REALLY helps.

I have learned that curiosity keeps mind and heart open and that the capacity to take multiple perspectives creates connection and invites possibilities that otherwise would have been missed.

Collaboration is immensely difficult for us humans at this stage in our evolution but hugely rewarding and essential for the future of humanity.

Do you have a morning routine? Or other creative habits or rituals?

Yes – I try to spend 60-90 minutes practicing. I pour (but don’t always drink!) a litre of hot water with some cider vinegar, and I always sit. Then I do one or two of the following depending on time and what’s going on – yoga, dance, running hills, journaling, inquiring.

Silence, setting intentions and checking in are some creative practices I also use. Silence connects us to something bigger, attention as a rule follows intention, and checking-in inspires empathy and connection.

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What books have inspired you? Or what websites do you turn to? 

These days I listen and watch as much as read. I think Ken Wilber’s Kosmic Consciousness changed my life and my perspectives and I loved his dairy One Taste.

Rilke’s Love Poems to God.

Emily Bronte’s Wuthering Heights

Roger Housden’s Ten poems to Change your Life

Pema Codron’s When Things Fall Apart

David Whyte’s The House of Belonging

I love the writing of John Moriarty but I have yet to finish a book of his.

Integral Life for all things Integral and the work of Ken Wilber.

Tara Brach Darma Talks

Sounds True Insights at the Edge – some of the great leading edge thinkers in evolution.

Yoga Glo –  great for home practice.

The Love Revolution – Matt Kahn

Mystic Mamma for bite sized pieces of wisdom and great images.

 

What advice would you give to your future self?

I suspect my future self would have more interesting and useful advice to give my present self than other way around. So if I can turn it around my future self would ask me four questions:

What’s asking for your attention?

What really matters to you?

What do you want to create?

What would you do if you knew you couldn’t fail?

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Thank you so much Mari! xx

Mari’s links:

The Yoga Salon

Cliffs of Moher Retreat Centre (Regular Guest Teacher)

 

 

 


Creative Islanders: Aoibheann McNamara

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The Creative Islanders is a new interview series showcasing some of Ireland’s brightest creative talent and enterprise. It is about people who are stepping into their dreams, purpose and possibilities and embracing their one wild life. 

The interviews give a rare ‘behind the scenes’ glimpse into creative practice, motivations and mindsets- shining a light on what makes people tick, and how collectively Ireland is alive with creative possibility.

……….

Next up in the series we have some short, snappy and sweet responses from Aoibheann Mc Namera- mother, restauranteur, entrepreneur, art lover, and one of Ireland’s treasures.

No visit to Galway City is complete for me without a visit to Ard Bia Restaurant, founded by Aoibheann. Set on the harbour shore overlooking The Claddagh, Ard Bia is a hub of great food, friendship, art, connections and always a warm and vibrant welcome. 

More recently Aoibheann has also teamed up with Triona Lillis to bring The Tweed Project to life. Inspired the native fabrics of tweed and linen in Ireland, Aoibheann and Triona set about trying to revitalise the craft, creating contemporary handmade weaves and wears, while honouring the tradition and land from which they come.

Beyond that Aoibheann has recently renovated an old warehouse in Galway city as her and her son Oni’s home, and has opened it up to guests and even spoken word events.

With creativity and entrepreneurship coursing through her veins, I hand over to the lovely Aoibheann…

What makes you tick? What motivates you?

Opening my inbox every day and seeing the opportunities I am lucky enough to be offered and exploring them, and then seeing what happens. Travel. Aesthetic life.

What keeps you in Ireland?

My son, my work, my love of the country.

What do you do just for the love of it?

Put people together and help make things happen.

What does the creative process teach you?

I know no other process, so it just the way I live.

Where do you find inspiration? Any hidden gems?

Everything- travel, publications, people- too many things.

How do you get through tough times? What sustains you?

A good Scary Mary party normally re aligns everything! (- note- Scary Mary is Mary Mc Nally- who is known for her wild and wonderful parties, and is a fine creative entrepreneur too- must be something in that Galway water)

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What key lessons have your learned about doing business or being a creative practitioner along the way? What have you learned from your ‘failures’?

Have a core belief and develop that, listen to it and if you are really in tune with it there is no such thing as failure.

Do you have a morning routine? Or other creative habits or rituals?

I jog by the sea, do emails, drink green juice and then see what happens…

What books have inspired you?  Or what websites do you turn to?

Its Not How Good You Are, Its How Good You Want To Be – Paul Asture

Any Saturday edition of the Financial Times.

What advice do you wish you had received as you were stepping onto your own creative path?

Get a good accountant! Out source this.

And what advice would you give to your future self?

Have a nice sofa and sit on it from time to time!

 

Find out more: 

Ard Bia

The Tweed Project

Aoibheann’s home on Air BnB

 

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Creative Islanders: Emmet Condon

Emmet Condon

The Creative Islanders is an new interview series showcasing some of Ireland’s brightest creative talent and enterprise. It is about people who are stepping into their dreams, purpose and possibilities and embracing their one wild life. 

The interviews give a rare ‘behind the scenes’ glimpse into creative practice, motivations and mindsets- shining a light on what makes people tick, and how, collectively Ireland is alive with creative possibility.

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Next up is Emmet Condon– DJ, Founder of Homebeats, Another Love Story and Fading Light festival organiser, avid tea drinker, surfer and dog lover.

Having jumped ship on a career path in physiotherapy, for the last number of years Emmet has been popping up in people’s homes and quirky spaces, bringing beats to unlikely venues. He has also collaborated to bring Another Love Story boutique festival to life, initiated the Fading Light Festival in West Kerry and most recently had a dream come true when he hosted his own stage Tree Haus at Body & Soul Festival.  But beyond the music, it is the way Emmet operates which has been part of the appeal and growth of his ventures- with an open heart, a collaborative spirit and a sense of adventure, bringing community together in meaningful, musical ways. He can certainly get a crowd dancing too.

Now over to Emmet…

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What makes you tick? What motivates you?

In terms of motivation, to be honest, a sense of lost time. It took me a long time to find the courage to go after what was in my heart, so I’m still keenly aware of making up for a lot of time spent not persuing the right thing.

What makes me tick? Attention to detail and commitment to a small but perfect vision. That, and the want to present music and spaces in a way that opens them up to the audience and the artists. Following on from that the incredible buzz of seeing it all come together and people being happy.

Last week’s adventure on our Tree Haus stage at Body & Soul Festival was perhaps the ultimate experience of this so far – Avril Stanley & co’s dedication to making Ballinlough a wonderland sets the bar high for anyone producing something there, especially for the first time. I can honestly say that the Homebeat team that worked on every facet of it put their hearts and souls into it. To see the stage in full flight at the woods at 3am in the morning was something that might never leave me. There are many difficult parts to being involved in the events industry, but the ability to truly create magic with friends in a place like that is just an incredible buzz- and that’s the feeling that you keep looking for and that keeps driving you to do it the right way.

What does the creative process teach you?

I think mostly it has thought me the hard won value of patience. When I was younger I was sure that people created art without any effort; that great artists, no matter the medium, simply exhaled a piece of art in one perfect, concise breath. Learning that everyone has and needs exactly that – a process, was a very profound thing for me.

What keeps you in Ireland?

I’m really glad to say, so many things. First and foremost the incredible bunch of creative people I’m blessed to know here, and especially so in Dublin. It’s a community that seems to be growing closer and denser over the past number of years and the genuine inspirational innovation and support amongst that group is something that would take years to encounter and foster somewhere larger and less connected like London or New York or even the hallowed ground of Berlin.

Secondly, I suppose it’s the feeling of growing something with Homebeat. It took me a long time to find my way in terms of a career, and though I would be hard pressed to legitimise the adventures I’m having at the moment as a “career”, I’m certainly invested in it enough to feel like it’s the vehicle for my dreams here and I suppose a lot of work has gone into even getting it to this lowly level. I would hate to leave that behind right now.

Beyond those two things, obviously friends and family, but also the incredible little island that we live on itself. Dublin town, my adopted home, is nestled twixt mountains and sea, and if one manages to escape the heady attractions of incredible music, art, pubs and clubs of a Friday night, not to mention the incredible burgeoning coffee and food culture every day of the week here, you can be walking next to a giant red lighthouse, or flying down a mountain bike trail in under a half hour from your kitchen. And that only begins to explain the wonder of getting up even a little bit earlier on that Saturday morning, jumping in a van and finding yourself surfing in Sligo, Clare or Kerry by mid-morning, amongst friends in uncrowded waves, and in the most beautiful setting possible.

Festivals, music, Guinness, our natural humility- I could go on and on. I travelled for a long time to find the day that I decided this was undoubtably the place for me on this planet, and I’ve never looked back since.

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Photo: Chequerboard at Fading Light (Ruthless Imagery)

How do you get unstuck? Any secret tools?

I don’t know if I feel I get necessarily stuck, more fatigued from having a few projects on the go all at once. If you are working in the field that you are most interested in, it’s hard not to be inspired. Certainly I’m someone who feels like he’s completely making it up as he goes along so talking to peers helps a lot in terms of advice and reassurance. But if genuinely stuck for want of headspace, it’s time to pack the van, head west and jump in the sea for a few days.

What do you do just for the love of it?

I’d say DJ but there’s definitely an element of ambition in that, so purely for the love of it –  surf, snowboard, read the sports pages, golf, drink tea, make it my business to talk to most dogs I meet on the street.

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Where do you find inspiration? Any hidden gems?

Most certainly in what’s happening here at the moment. I truly believe we are living through a golden age of Irish music and culture, not only this, but my generation has been paradoxically empowered by the recession I think – the drop in commercial rent prices during the recession meant places like The Fumbally Café, and our beloved Mabos sprung up. These spaces are real hubs of incubation and inspiration – at the end of the day it’s all about the realisation that people and their interactions is what make it all happen – and most of all it’s people who are true to their voice and their passion (stand up Donal Dineen & co.) who inspire me continuously.

But outside of people:  good design – be it a pair of runners or a café, nature, and a gazillion websites / instagram accounts / blogs / magazines. I actually find Instagram a really handy source of visual inspiration.

Great music obviously is something that brings me to a different place, though that might be more emotional inspiration rather than a creative one (usually it makes me feel creatively stupid!!)

How do you get through tough times? What sustains you?

Sitting myself down and breaking things into small bits. Lists. Lots of lists. Once I do that I feel like I’m in control of the situation and the panic tends to subside a little. This and tea. Gallons of tea (this is probably the substance that sustains me also). I’ve learned the hard way that I’m not someone who can leave their troubles behind readily, so I’ve got to face them and break them down or I end up driving around the country trying to run away from them but not being able to escape!

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Photo: Ruthless Imagery at Another Love Story

What key lessons have your learned about doing business or being a creative practitioner along the way? What have you learned from your ‘failures’?

Trust your own artistic vision – it’s the only thing you have that makes you stand out.

Trust if you do it well, more work will follow, if not immediately, then soon after.

Always over deliver and follow through to the very end – the extra attention to detail is what people remember.

Say yes often, say no sometimes.

Always go!

In terms of failures, often (as in most things in life) you already know in your heart if it’s not going to work.

Do you have a morning routine? Or other creative habits or rituals?

Wake, tea, check mails / facebook for anything new that has been announced or popped up. MORE TEA. Generally I need a space to be pretty tidy to think, so there’s a lot of straightening magazine / notebook edges involved.

What books have inspired you? Or what websites do you turn to?

One Hundred Years of Solitude – Gabriel Garcia Marquez.

Crossings – Michel Kew (the best travel book I have ever read)

Grapes of Wrath – John Stienbeck

Vernon God Little – DBC Pierre.

Websites – Monsters Children | Resident Advisor (brilliant podcast series on djs and promoters) | Soundcould

What advice do you wish you had received as you were stepping onto your own creative path?

As I said earlier, that I had realised very few get it 100% right immediately, and that the confidence you get from the very simple act of just trying is huge.

And what advice would you give to your future self?
Try to stay patient. If you do it right, trust that the work will come. Always be grateful! Trust yourself!

 

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Emmet’s links: 

Homebeats

Another Love Story (in collaboration with Happenings)

Fading Light

Thank you Emmet- see you on a dance floor soon! 


Creative Islanders: Superfolk

Folding Camping Stool 4 copy

The Creative Islanders is an new interview series showcasing some of Ireland’s brightest creative talent and enterprise. It is about people who are stepping into their dreams, purpose and possibilities and embracing their one wild life. 

The interviews give a rare ‘behind the scenes’ glimpse into creative practice, motivations and mindsets- shining a light on what makes people tick, and how, collectively Ireland is alive with creative possibility.

………………..

Next up in the series is Superfolk founded by partners in life and business Jo Anne Bulter and Gearóid Muldowney. Based in Westport, in the wild west of Ireland, Superfolk design and craft exquisite homewares. Inspired by the outdoors and with respect to the raw and rugged landscape and materials which surround them, both Jo Anne and Gearóid’s work exude craftsmanship with comes with much patience, practice and a deeply rooted passion for elegance and beauty. I greatly admire their decision to move out west, working to create a business in tune with the landscape while generating employment and opportunities for the region.

Jo Anne also inspired me recently to take up lino cutting again, and gave me some very useful tips and hints (thank you!) I also love popping into their Instagram feed to have a visual dose of the west… they take some stunning images.

Now over to some words from Jo Anne & Gearóid..

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Photo Credit:Henrietta Williams

What makes you tick? What motivates you?

Jo Anne: I love to understand the relationships and connections between things and am curious about simple things in nature, animals, our weather and our environment. In designing I always want to try to understand the core or the essence of a material, a process or a problem. I want to always be proud of the work that we do and I love sharing that with others. Some people connect in a very emotional way to the sensibility of what we make and really get it and that’s very rewarding. We want to build a business where we will be creating employment in the west of Ireland.

Gearoid: I like to identify problems and rectifying them. I enjoy fixing things. But at some point its best to start afresh and thats why I design new things. Being able to understand your built/designed/made environment helps orientate a person. Being able to tell a story through our products is normal; materials have a history, objects are created in a context, keeping that context part of the product is an integral part of what we do.

What keeps you in Ireland?

Jo Anne: Our families – My father passed away in 2006 and Gearoid’s father died in 2012. The sense of sadness and loss is profound, but, bereavement also brought a deepening appreciation for our family, our friends and the feeling of ‘at home’ we have with living in the west of Ireland.

Gearoid: I love Ireland. My upbringing and my education has given me a wonderful appreciation for this island. My parents and my primary school teachers introduced me to the rich cultural heritage that is ours to discover. Ireland’s geography, natural history and culture fascinates me. With Superfolk, we are trying our best to use all of these elements to our advantage. We don’t want to leave.

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What do you do just for the love of it?

Jo Anne: I love learning about what I am seeing around me and anything that involves fresh air and being outside – walking, hiking, climbing, kayking, snorkelling, camping. I love trying to identify wild flowers and plants. I want to understand how a single plant can tell the story of its habitat – the relationship between the climate, topography and geology of a place. I want to know not just the name of everything that grows in the wild but why it chooses to grow where and when it grows – the wider inter-connected story of habitat. And I love watching Homeland. And Vikings.

Gearoid: I like being outside. I use fly fishing as a legitimate excuse to roam the countryside, study maps jump fences and talk to strangers. Fly fishing gives me the license to stand in rivers in silence, whilst water rushes all around you. I can stand motionless in a ditch listening for a plop of a trouts lip as it sips in flies trapped in the water surface film. I like the silence of big open spaces. Hiking in the hills of Mayo energises me. We have a large dog, ‘Woody’, a Wiemaraner and he demands plenty of exercise, so he’s another excuse to be in forests and hills and beaches.

What does the creative process teach you?

Jo Anne: Good work will not be forced. We might push really long and hard trying to make something work and eventually have to admit defeat. Good work is more instinctive, more fluid and truer to ourselves. When we are slogging at something it can be hard to stop and accept that what is more easy, free and simple is the better work. The slog is an important part of the creative process but its not the work. I think this is described best in the phrase ‘the simplicity on the other side of complexity’.

Gearoid. How to be honest. Well made things are honest. There are no tricks, if you want to make something that will last, and function well there are no short cuts. Use good materials and do them justice.

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How do you get unstuck? Any secret tools?

Jo Anne: Turn it upside down. In my foundation art course my tutor Robin Jones would tell us to frequently turn the page of a drawing upside down to make us look at the drawing with fresh eyes. So I try to find similar ways to keep fresh eyes and perspective on whatever I am working on. Turn the page upside down, take a step back, take a break, go for a walk. Learn to change your position relative to your work and learn to see with fresh eyes.

Gearoid: I don’t get stuck much these days. When I was younger I might have been more precious about my  ideas and less willing to give up on something that wasn’t working. I’ve gotten better at scrapping something that isn’t working, ideas are two a penny.

Where do you find inspiration? Any hidden gems?

Jo Anne: We are designers but it is really important to us that we are always looking outside of ‘design’. When Gearoid and I travel to new places we always look out for the folk museum, the natural history museum, the odd strange decorative arts museum.  I really love any outdoor folk museums even really touristy ones. I love ‘Den Gamle By’, the outdoor folk life museum in Arhus in Denmark.

Gearoid: Humans have been designing and problem solving for thousands of years. Its only in the last few hundred years that we have begun to document some of these results. My interest in vernacualr life tools is endless. I love folk museums especially if they have an outdoor element and archaeology, you cant beat digging in the ground and speculating.

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How do you get through tough times? What sustains you?

Jo Anne: The memory of that first feeling of Spring in the air – at any time of year. And anything William Wegman ever made. Walking and listening to podcasts.

Gearoid: I used to smoke, rolling tobacco and I really enjoyed the peaceful time it gave. It allowed me time to meditate on things. It turns out smoking kills you, so I walk the dog now or go fishing.

What key lessons have your learned about doing business or being a creative practitioner along the way?

Jo Anne: Don’t take criticism personally. Listen and understand criticism as subjective insight.

Gearoid: Play the long game. Make good work. Don’t rush things. Give yourself time to do a good job. Be nice to people and don’t waste time on negative thoughts.

What have you learned from your ‘failures’?

Jo Anne: Never be afraid to cut your losses. Don’t keep going with something that in your gut doesn’t feel right because you are too afraid of losing what you have already invested.

Gearoid: Not to give up. Move on quickly and regroup. Moving forward and not dwelling in the past is important. Keep moving forward.

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Do you have a morning routine?

Jo Anne: Roughly along the lines of …Feed the dog, go for a walk, come back have porridge and coffee and have a short meeting about what work is needed to be done that day.

Gearoid: Porridge. Clean and tidy, start work as soon as possible. Morning is the best time to have clear thoughts and energy.

Or other creative habits or rituals?

Jo Anne: Walking meetings – when we are figuring something out together rather than a sit-down brainstorm we take walking meetings where we walk and talk through our ideas. For some reason when we are more active, walking, you can be more insightful and make big decisions more confidently.

Gearoid: I like to have a place for everything so I’m constantly trying to put my life in order or de clutter my life. It is a struggle, the world wants me to have so much stuff.

What books have inspired you? Or what websites do you turn to? 

Jo Anne: The Wild Flowers of Ireland by Carsten Krieger and Declan Doogue – It tells the story of wildflowers and wild plant life from the point of view of habitat – I love to think about the inter-relationship of factors that create an amenable habitat for plantlife– in a funny way it is really quite relevant to home-wares designing. Also ‘The Way That I Went’ by the naturalist Robert Lloyd Preager. When I’m drawing I listen to podcasts like ‘On Being’ and podcasts about slow food movement and plant life on ‘Heritage Radio Network’.

Gearoid: I have referred to the SAS survival handbook since I was a child. Its a guide to doing everything a human needs to do to stay alive, it has nothing superfluous of luxurious in it its a stripped back guide to living. Its not a bad place to begin if you are designing lifestyle or homeware goods.

What advice do you wish you had received as you were stepping onto your own creative path?

Jo Anne: Trust your gut. Don’t wait to be perfect (because there’s no such thing)

Gearoid: Be brave.

 

 

Print Studio 1

 

Find out more over on their website Superfolk 

Follow them on Instagram here. 

Thank you so much Superfolk. You are, indeed, super folk. Clare x 


And we have lift off…

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Hello hello, and welcome.

With deep gratitude, and with abundant excitement I now officially launch this new website, my new Etsy shop, and the launch of my new venture, Zen Hen.

It has been an evolution.

First off, I start with Thanks– huge, deep and abundant.

 

No creation happens in isolation. To Catherine Pearson who crafted the brand and so beautifully engineered the site. Thank you. Catherine designed my previous website and so she was my first port of call. She brings quirk, style, refinement and patience. Would I recommend her? Always.

To Orlagh O’Brien, who so professionally and carefully designed the Seasonal Planners and resources- thank you. As a designer Orlagh does not just make things look nice but designs with the user in mind – first asking how things will be understood, and then leading with her design flair. Would I recommend her? Absolutely.

To Claire Wilson for her portraiture of me. Claire has a stunning talent that her camera lovingly and skillfully navigates, which I have been admiring for years. I am usually the one taking the photos, so it was a very new experience for me to step to the other side. I knew I would be in safe hands with Claire. Would I recommend her? It goes without saying…

And to my circle of friends, who have been cheerleading and offering unending support- thank you. Friendship really is key. And I include doggie friendship too- a thanks and rub to my little canine companion, Finn.

This all feels like a new home, a new iteration, and a new beginning. I can’t tell you how good it feels, with a healthy hint of nerves in the mix too.

I first started blogging in 2006. That led to a trip around the globe, which I blogged my way through, which led to a book, which led to a photography business and blog, which led to my previous website, One Wild Life, which led to many many doors opening. It has been a wonderful journey. But it was time not only for a fresh coat of paint, but a new house, from which I can build new dreams and cast my net further. So after much contemplation, letting go, letting come, this site has evolved. Here there will be writing, workshops, retreats, learning, creating, friendship, fun, support, adventure and change.

My door is open. Come in, explore, sit a while, read, relax, question. You are most welcome.

Be sure to sign up to my mailing list to get your FREE Vision Guide and Creative Planners, including an audio meditation and creative planners. When you sign up you will also get monthly updates with offerings, happenings and further resources.

Other things to check out:

Come Friday I will be also be launching a new interview series here, called ‘Creative Islanders’, profilling a behind the scenes look into some of the best creative brains and talent on this island. Be sure to tune in.

Zen Hen is now also live- this is my new offering which brings yoga, craft and beautiful celebrations to boutique venues around Ireland. Zen Hen has a website all of its own. Be sure to have a wander.

Yes, it has been an exciting few months as I have been busy preparing all of this behind the scenes. It is even more exciting now that it is out there in the world!

Welcome aboard, happy reading & discovering,

Beannacht, Blessings

Clare xx